ВЎMAYDAY ALBUM BACK FULL

One of the things I really love about this is that it doesn't take any time to slow down. It still has that signature aegyo, but it all seems pretty fluid. That dance move always looks awkward and has never been a favorite of mine. The only problem I have with it is the teeter-totter effect, where they go stiff and rock back and forth. The dancing is quite well done, forceful and quick just like the tune itself.

It's not another performance piece, though, but a set of individual shots that reflect the madcap pace of the song. Here we have another plotless MV, this time taking place in the city, or sometimes on a bus, or inside. I might not be the song's biggest fan, but I can't say they did a bad job with the MV. I don't know what they could do to fix that, maybe other than not have clouds that make it so obvious. This is notable because it is noticeable, and the unrealistic angles and movement of the background somewhat detract from the immersion. While there are few special effects, it should be noted that the blue sky, is green screen. And I like how some of them form a line while someone else steps through and sings. They line up single fileВ and then fan out once more. It's well-synced, and while it didn't blow me away, it didn't bore me either. Their arms are thrown out much of the time, and they whirl and gather again. So they dance, and make cutesy gestures, and do a fair job. The dancing is quite well doneВ if entirely buried in aegyo. Yeah, it's a performance MV through and through. There, the girls danceВ and dance some more. So here the girls are apparently tennis divas, despite the lack of rackets or evidence of athletic ability, and they break into a song and dance in exactly the way tennis players don't. The MV takes place in a tennis stadium, apparently, judging from the nets, the balls, and the empty stands. This particular album is perfect for a summer release, best enjoyed with the top down and the wind in your hair. Not to mention that there's some definite vocal ability here, particularly evident in the harmonies. It gives their tracks a refreshing innocence, and a sort of 'touch my hand and I blush' style that is lacking nowadays.

They're still just adorable, and that works in their favor. April still has it in spadesВ and milks it well. It's 2017, and there are several bands that have tried the cute concept, and some quickly abandoned it. And the cute chanting and cheers are definitely on point. There are some sweet harmonies, a nice majestic synth, and fabulous bass synths to help keep the time. It has that trademark sweetness that bands that follow the 'cute' formula use. ' YES SIR' is probably the second track I would have chosen to promote with.

ВЎMAYDAY ALBUM BACK FULL

It's finely-crafted and just stuffed full of goodness. It's got the hooks in the chorus, the ad-libs are adorable, and the bridge fits in incredibly well.

This particular tune is *the* jam on the album. They don't disappoint, either, with a somewhat frantic tune that keeps the tension right through the catchy chorus. The title track ' MAYDAY' starts with some synth stabs that sets it up nicely.

ВЎmayday album back